"Blaze Koneski" Faculty of Philology

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    The Double in Quest to Save the Protagonist
    (Australian International Academic Centre, 2015-04-01)
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    Time Distortion in Bierce's "One of the Missing" and Uroshevic's "Ракописот од Китаб-Ан" ("The Manuscript from Kitab-An")
    (Purdue University (bepress), 2015-12-01)
    In her article "Time Distortion in Bierce's 'One of the Missing' and Uroshevic's 'Ракописот од Китаб-Ан' ('The Manuscript from Kitab-An')" Kalina Maleska examines the relationship between literature and astronomy in the context of time. The two stories share several common elements: they explore the possible manipulations of time in unexpected and extraordinary ways and come close to certain scientific explorations of time. For "One of the Missing," Albert Einstein's theory of relativity provides an interesting foundation for understanding Bierce's treatment of time. For The Manuscript of Kitab-An, the speculations of time travel starting from the Einstein-Rosen concept of the black hole as a bridge to a parallel universe proves useful in interpreting the treatment of time in this story. Although the concept of time has often been the subject of critical analysis in twentieth-century literature in general, there has been only scarce research on the relation between scientific discussions of time and its literary representations.
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    Literary Attempts to Evade Control over Discourse: Macedonian-English Comparative View
    (University College London, School of Slavonic and Eastern European Studies, 2012)
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    Една можна класификација на експонентите на неопределеноста во македонскиот јазик
    (Institute of Slavic Studies Polish Academy of Sciences, 2018-12-24)
    Карапејовски [Karapejovski], Бобан [Boban]
    <jats:p>A possible classification of indefiniteness exponents in Macedonian The concept or category of determinateness finds its grammaticalization in the category of definiteness. Beginning from the dialectical configuration of reality, which finds its linguistic expression in such features that, in componential analysis, are marked as “plus” (+) or “minus” (-), the formal indicator of definiteness will be juxtaposed with equivalents for the corresponding point/segment at the opposite end of the axis.In the established system of the Macedonian language, indefiniteness may be expressed simply by the absence of a marker; by indefinite pronouns, and, in particular, by one and someone (eden and nekoj), which in terms of definiteness/indefiniteness are counterparts of sorts to the article (the definite article as an exponent of positive marking of definiteness in Macedonian); finally, in certain cases, absence of definiteness may be related to the non-referentiality of noun syntagmas or to ontological meanings. The above-mentioned cases can be classified according to: a) their syntactic function; b) the addressor’s/addressee’s knowledge of the referent (obligatory use of one [eden]/someone [nekoj]]; c) their non-referentiality (either in reality or in the text)/denotation/genericity. Propozycja klasyfikacji wykładników nieokreśloności w języku macedońskim Pojęcie wyznaczoności gramatykalizuje się jako tzw. kategoria określoności. Poczynając od stanu rzeczy w dialektach oraz stosując analizę komponencjalną, w której poszczególnym cechom przypisujemy znaki plus (+) i minus (-),formalnym wykładnikom kategorii określoności przeciwstawiamy ekwiwalenty odpowiedniego punktu/odcinka na przeciwnej stronie osi.W systemie języka macedońskiego nieokreśloność może być wyrażona po prostu poprzez brak wykładnika; zaimkami nieokreślonymi, w szczególności еден i некој – stanowiącymi odpowiedniki rodzajnika (który w języku macedońskim jest wykładnikiem pozytywnego nacechowania ze względu na określoność w języku macedońskim); wreszcie, w pewnych wypadkach, do nieobecności określoności może się przyczynić brak referencji frazy nominalnej lub wiedza ontologiczna. Wymienione sytuacje możemy klasyfikować według: funkcji składniowej, wiedzy adresata/adresatów na temat referenta (obligatoryjne użycie еден/некој), niereferencyjności (w rzeczywistości i w tekście)/denotacji/generyczności.</jats:p>
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    Il congiuntivo nella lingua italiana e i suoi corrispondenti nel macedone
    (Универзитет „Св. Кирил и Методиј“, Филолошки факултет „Блаже Конески“, Скопје, 2011)
    Branka Grivcevska
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    Analisi degli errori commessi dagli studenti macedoni in classe di interpretazione simultanea
    (Универзитет „Св. Кирил и Методиј“, Филолошки факултет „Блаже Конески“, Скопје, 2015)
    Branka Grivcevska
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    La valutazione dell'interpretazione simultanea dall'italiano al macedone
    (Универзитет „Св. Кирил и Методиј“, Филолошки факултет „Блаже Конески“, Скопје, 2017)
    Branka Grivcevska
    Partiamo da Viezzi, Pöchhacker, Collados, Schlesinger e i parametri che loro ritengono essenziali per la valutazione dell’interpretazione simultanea: adeguatezza, precisione, efficacia, fruibilità, fedeltà, coesione, coerenza, pertinenza e rilevanza. Ci soffermiano a breve sui diversi tipi di valutazione e le sei competenze definite da H.Albir e i problemi che potrebbero sorgere dalla gestione non adeguata di una di queste competenze. Il peggiore errore non è quello linguistico, ma quello pragmatico e culturale e in un contesto accademico bisogna lavorare sulle difficoltà che potrebbero sorgere nel corso dell’interpetazione e essere capaci di prevedere l’errore e valutarlo in modo completamente diverso. Adottando i criteri di valutazione di Viezzi e il modello di Barik vengono valutati i risultati ottenuti dall’indagine svolta su un gruppo di studenti macedoni, laureandi in Italianistica.
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    Преведувачките техники во македонскиот превод на романот Паломар од Итало Калвино
    (Универзитет „Св. Кирил и Методиј“, Филолошки факултет „Блаже Конески“, Скопје, 2016)
    Бранка Гривчевска
    The present research intended to analyze the Macedonian translation of the novel Palomar by Italo Calvino, translated by Radica Nikodinovska. Our aim was to identify and classify the translation techniques that have been used in the translation of the novel Palomar. We adopted the definition of translation given by Hurtado: Translation is a process of interpretation and communication for a text that takes places in a social context and which includes three factors, mental process, text ad communicative act, and that text should be reformulated in another text, placed in a different social context. In this research we tried to define and explain the translation techniques, and to classify them according to their use in the Macedonian translation of the novel Palomar. The conclusion is that the most frequent translation techniques are modulation and transportation. The transcription takes the third place. Our expectations were that in the Macedonian translation of the novel dominated the calques anche the borrowings but the results of the research confirmed the opposite, the translator managed to find the appropriate solution for every problem.
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    Makedonien, der Balkan und Europa als „Zeit-Raum-Spiel“
    (2015)
    Banovikj-Markovska, Angelina