Богословските ставови на Лав Охридски изразени преку фрескоживописот во Света Софија Охридска

Abstract

The iconographic program of the oldest frescoes in the Cathedral of St. Sophia in Ohrid is another indication of the spiritual and theological greatness of Archbishop Leo of Ohrid. As archbishop, Leo undoubtedly clashed with Latin worship practices previously imposed on the territories of his jurisdiction by Western missionaries. It actually confirms the need for Leo to express his theological views on some Latin practices on the walls of St. Sophia of Ohrid.