"Blaze Koneski" Faculty of Philology

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    Troubles with History: Skopje 2014
    (MIT Press, 2011-12-29)
    Article about Skopje 2014 project, published in 2011.
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    TRI FUNKCIJE BALKANSKE MUŠKOSTI
    (Mediacentar, Sarajevo, 2013-01-30)
    The study “Three Functions of the Balkan Masculinity” by Jasna Koteska investigates the notorious concept of the Balkan masculinity and its status in the post-war 21st century Balkans. The study offers a reading of the intersection between the concepts of Balkanism, masculinity and their media representations, via a detailed readings of the Serbian film “Parade” (2011) and of the Macedonian film “Punk is Not Dead” (2011) in their multiple textual, gender, national and cultural dimensions. The text distillates three main characteristics of the concept of the Balkan masculinity as represented in the art products from the 21st century post-war Balkans: (1) avoiding the social responsibility, (2) censorship of homosexuality, and (3) a tight idea of a brotherhood. All of the three detected elements are elaborated with different examples from art practices: film, literature, and media. The text is using an interdisciplinary approach in interpreting the phenomena of the Balkan masculinity with methods from several related disciplines: film studies, literary criticism, gender studies, nationalism studies, theoretical psychoanalysis, and philosophy.
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    Pride Week, Silence and Violence (2015)
    (Center for Media and Communications, Faculty of Media and Communications, Belgrade, 2015)
    ABSTRACT Pride Week, Silence and Violence (LGBTI in Macedonia, 2013 and 2014) Jasna Koteska The text “Pride Week, Silence and Violence (LGBTI in Macedonia, 2013 and 2014)” by Jasna Koteska analyzes the role of the media in the first ever organized Pride Weeks in the Republic of Macedonia in 2013 and 2014. The text analyses the complex relation between three related processes: silencing the LGBTI community in the media, the rise of the violence in language (derogatory slogans, death threats) to the actual physical outbursts of violence towards the members and the supporters of the LGBTI community in these two years. The text analyses several phenomena related to violence in language and physical violence: space, the gaze and the construction of the image of the “fantasy enemy”.
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    MAKEDONSKA ŽENSKA KNJIŽEVNOST OD ASIMBOLIЈE KA FEMINIZMU
    (MEDIA CENTAR SARAJEVO, 2003)
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    The Sexual Strategy of the son in Kafka (2001)
    (Research Center in Gender Studies - Skopje and Euro-Balkan Institute, 2001)
    Abstract. Seven years after The Metamorphosis and The Judgment, Kafka wrote a long and painful Letter to Father. With deep melancholy, he confessed the broken will of the Son when faced with the prohibitive nature of the Father. As opposed to the Sons in his short stories, Kafka made tactical, not strategic solutions. The difference is in the time and the planning: strategy’s Subject plans its operation, while tactics’ Subject acts only when it feels directly jeopardized. Kafka, whose letter can be read as an effort of the tactician, never actually sent this Letter to Father. Although he saw his father as a pragmatic patriarch and tyrant, Kafka chose to live near him even in his adult years. His entire work is an evidence of the ambiguity of the Symbolic Order and the lethality of not having a strategic position for defense from it. Or an evidence of the fundamental impossibility to actually have one. Regardless. Kafka lead his life consciously subverting it - he spent his daytime doing routine office work, and his night writing. Is this not one of the facets of the Son’s terrorism against the Symbolic Order? A passive-aggressive solution, alike that of Samsa. A pessimistic response, similar to the pessimism of his Sons. Kafka tried Bendemann’s recipe - exile, only once. He left for Berlin, to distance himself from the family ties and to dedicate himself to writing. That was in 1923, and he past away only one refugee year later.
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    Analysis of a Catalysis
    (Cultural Institution Blesok, Blesok – art is inside, 1998-03-01)
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    Sanitary Enigma (2004)
    (Euro Balkan Press, 2004)
    The author analysis the psychoanalytical mechanisms which produce the human need for cleanness. Cleanness is being investigated as an enigma which has a central role in the process of subjectivisation.
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    Against the Pre-Archival Mentality (2006)
    (Skopje : Cultural Institution Blesok, Blesok : the art is inside, 2006-08-06)
    These lines are dedicated to the book “The Female Side of the Story: The Crisis in Macedonia in 2001” by Aleksandra Bubevska and Miruse Hoxa, Evrobalkan Press, 2006.
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    The One in the Couple
    (Blesok/Shine, 2002)