Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12188/7074
Title: Гротескното преобликување како можност за жанровска интерференција (од Аристофан до Сервантес)
Authors: Tasevska Hadji Boshkova, Iskra 
Issue Date: 2013
Publisher: Друштво за компаративна книжевност на Македонија и Друштво на класични филолози „Антика“
Source: Сите лица на смешното – од антиката до денес (Зборник на трудови од научната работилница одржана на 11 мај 2012 година). Скопје: Друштво за компаративна книжевност на Македонија и Друштво на класични филолози „Антика“, 2013, 183-192.
Conference: Научна работилница одржана на 11 мај 2012 година.
Abstract: This text aims to underline the very nature of grotesque, its qualities, and literary theory that highlight its peculiarities (Bakhtin, Hugo, Kaiser, etc.). Grotesque is being defined as a sort of mixture that comprises of diverse elements, in order to provoke artistic heterogeneity. Seen through historically remote literary works, grotesque is a form of depiction, which catalyzes generic transformation and the correlation of different genres, and it is being transformed at the same time. The means of grotesque depiction vary from character building and humor in Aristophanes, to reconstruction of characters and dramatic/novelistic situations in Plautus and Cervantes. These examples illustrate the aesthetic essence of grotesque, recreated through Plato’s imaginations of Eros.
URI: http://hdl.handle.net/20.500.12188/7074
ISBN: 978-9989-2616-3-3
Appears in Collections:Faculty of Philology: Conference papers

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