БЛАЖЕ КОНЕСКИ КАКО СЛИКАР
Journal
Палимпсест / Palimpsest
Date Issued
2021
Author(s)
Славчо Ковилоски
DOI
https://doi.org/10.46763/PALIM21612089k
Abstract
In the paper we refer to Blazhe Koneski’s interest in painting, in his first
attempts to try in the world of art. We trace his connection with painting from the earliest
years until his adulthood. We categorize his interest in painting in two groups: first, by
following the frescoes in the monastery of St. Archangel Michael in Varos (Prilep), the
portrayal of Lazar Lichenoski and the opening of the exhibition of Cane Sekuloski, and
secondly, as an author who transforms nature, paintings and frescoes into literary works.
Hence our perception of Koneski as a painter in literature.
attempts to try in the world of art. We trace his connection with painting from the earliest
years until his adulthood. We categorize his interest in painting in two groups: first, by
following the frescoes in the monastery of St. Archangel Michael in Varos (Prilep), the
portrayal of Lazar Lichenoski and the opening of the exhibition of Cane Sekuloski, and
secondly, as an author who transforms nature, paintings and frescoes into literary works.
Hence our perception of Koneski as a painter in literature.
Subjects
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