Faculty of Music
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Item type:Publication, Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians(Trabzon University State Conservatory, 2025-12-31)Zdravkova Djeparoska, Sonjan the recent years the theme of migration has received significant attention worldwide becoming a global process. Migration can be categorized as temporary or permanent. This particular study encompasses both modalities that are in intrinsic relationship with social and economic factors. Furthermore, an analysis of migration through the prism of culture, tradition and identity provides ground for investigating transformation of cultural models and their characteristics. The present research is specifically focused on the Macedonian population. To facilitate a more competent insight and comparative analysis two distinct periods, which were characterized by substantial migratory movements, have been observed: the mid -20th century (1930s-1940s) and the early 21st century (2010s-2020s), The selected periods have consequently determined the choice of geographical areas, specifically countries that were "desired" primary destinations during each respective period. To enhance understanding, the analysis was further constricted and focused on two urban centers that hosted or currently host large and significant Macedonian diasporic communities: Belgrade and Sydney. The most significant processes and effects, resulting from the undertaking of Macedonians in these researched environments, have been established through the actions and activities of migrants and the diaspora community. The intangible culture serves as a pivotal category with a specific emphasis on dance. The body, a fundamental vehicle and embodiment of cultural characteristics, is adopted as an analytical unit in this analysis. The investigation of the dancing body is justified by identification of the inextricable link between identity and culture. Based on the obtained findings, the research defines models that reflect all characteristics of the studied groups, their distinguishing forms, as well as their ultimate functions. This approach provides an expanded understanding of Macedonian culture and identity transmission processes within the countries of immigration. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, The Impact of Dance Education on the Development of Elementary School Students(University of Slavonski Brod, Croatian Academy of Sciences and Arts, 2025-09)Zdravkova Djeparoska, SonjaDance education at least, in North Macedonia, has been neglected within the elementary school curriculum, except two elective subjects. While this approach is prevalent in North Macedonia, many developed countries advocate for the segmentation of artistic subjects and the inclusion of dance as an independent subject of education at various levels, often supported by multi-year programs. The question arises: Should dance be established as an independent subject in school curriculums, and what advantages would such a pedagogical approach offer? The answer is undoubtedly affirmative. Dance has been recognized for its significant positive impact on student development. The benefits are manifold. To obtain a more comprehensive understanding, I have categorized the positive impacts of this educational approach into several distinct groups. Firstly, dance training methods have been shown to significantly enhance students' memory processes. Secondly, these methods contribute to the development of coordination and motor skills. Thirdly, the substantial effect of dance serves as a potent stimulus for creative development. Given the prevalence of anxiety, aggression, and negative emotions in contemporary society, research has demonstrated the beneficial psychological effects of dance. The discussion and analysis of the paper will emphasize the physical, mental and creative development of children connected with dancing practices. To substantiate these claims, I will present relevant scientific research conducted in recent years, which has yielded specific, quantifiable results . - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Revisiting Teshkoto Again. The Process of Signifying the Folk Dance Teshkoto with its Artistic Reflections(Ensemble of Traditional Dances and Songs of Serbia „Kolo“, The Institute of Ethnography SASA, 2024-05)Sonja Zdravkova DjeparoskaThe folk dance called Teshkoto has a special meaning for the Macedonians. It does not only belong to the traditional sequence of folk dances, but it is also a form which has accumulated a plethora of meanings. With the aim to research the associations related to this topic, I have included participants who helped me as a researcher to form a full picture about the perception of the dance. The survey results served as a basis to analyze Teshkoto not only through its original form but through its art replicas as well. The responses to the question on generated meanings are a result of many decades of “signifying” this folk dance. I have researched the transfer of those signified elements in current art works, but also the expansion of the same and the additional meanings they acquire. In this paper, the focus is on one ballet and one contemporary dance. The phenomenon of the general perception and interpretation of Teshkoto folk dance and its popularity not only of its traditional folk dance form, but also because of its specificity regarding esthetics and expression, tells us about its unique value. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Macedonian ballet (1949 – 2024), decoding of diverse choreographic “letters”(Arts & Communication, 2024)Sonja Zdravkova DjeparoskaThis article attempts to determine the relevant processes related to ballet, positioned in a concrete geographic space–the Republic of Macedonia. The time frame starts with the year of the founding of the professional ballet ensemble within the Macedonian National Theatre (MNT) 1949 and ends with the year 2024. An additional reason for such a theoretical review is the celebration of the 75th anniversary of the Macedonian ballet. Due to the volume of material, the author decided to detect general styles, that is, general “chapters” or “letters” (as will be defined in the article), with their specific tendencies. From an analysis of the entire repertoire, performances can be classified into three general groups. The first is classical ballet with a fixed choreography (in Macedonia’s case, versions currently performed in Russia, that is, countries of the former Soviet Union). The second group is performances classified as contemporary regarding theme and music, but most importantly dance style. The third group is the works where there is a symbiosis between classical ballet and folk dance, which are referred to as national ballets. This group carries the most important and most distinctive national features. Each of the aforementioned groups is in close interaction with cultural politics, that is, current societal trends, which will be further elaborated. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Денот на пијаното(2019-03-29)Dino ImeriНастап на млади таленти, претставување на пијанистот Дино Имери како гостин на концертот. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Digital management of copyright and related rights from the point of view the Macedonian legislation.(Sofia: УниБИТ, 2020-11-01)Buchkovski, V., Chapkanov, D., Naumovski, G. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Полифонијата во творештвото на Димче Николески создадено во периодот 1960 - 1980 година(СОКОМ, 2018)Јовиќ, ТихомирДимче Николески (с. Косел, Охридско, 13.1.1943 - 2.4.1998, Скопје), музички новинар, публицист и композитор, е еден од генерацијата македонски композитори чие делување главно се одвива во седумдесеттите и осумдесеттите години од ХХ век. Неговото творештво е насочено првенствено кон жанровите на камерната музика. Во периодот 1960 - 1980 година опусот на Николески брои 36 жанровски разновидни дела. Целта на овој труд е да го образложи пристапот на авторот кон полифониот слог како принцип на организација на музичката материја. Конкретно, истражувањето ќе биде насочено кон утврдување на видот, начинот и обемот на употреба на полифонијата во творештвото на Димче Николески создадено во наведениот дваесетгодишен временски период. За оваа цел беше формиран корпус од достапните дела (партитури и снимки) од опусот на авторот. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, БАЛЕТСКО НАСЛЕДСТВО: КЛАСИФИКАЦИЈА, СОСТАВ И КАРАКТЕРИСТИКИ(Руски центар, Универзитет „Св. Кирил и Методиј“, 2022-01)Здравкова-Џепароска, СоњаБалетското наследство e поврзано со најзначајните наслови во светската балетска продукција „Лебедово езеро“, „Заспаната убавица“, „Рајмонда“ др. Оваа група, т.н. „железен репертоар“, е основа во градење на програмата на сите позначајни светски театри. Прашањето што се отвора е кои дела спаѓаат во оваа група, односно според кои критериуми се селектирани делата во неа. Круцијалниот критериум е поврзан со сегментот што спаѓа во изведувачкиот пласт. Аналогно на другите сценски изведувачки практики, појдовната фиксирана матрица се моделира и се реализира преку сценскиот текст. Cценскиот текст во балетската, односно во танцовата уметност е изедначен со кореографијата и претставува клучен елемент за класификација на едно дело во групата на класично наследство. Овие претстави се во најголем дел поврзани со кореографската дејност што се одвивала кон крајот на XIX век, доминантно создадена во театрите во Русија. Вториот особено значаен ракурс во третманот на оваа проблематика е начинот на зачувување и трансферирање на кореографијата. Кога станува збор за балетското наследство и третманот на оваа група претстави може да се утврди тенденција за уметничка интервенција на нив, со цел зачувување на танцовите корпуси и осовременување на деловите што се анахрони и застарени. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Performance and Religion: Dancing Bodies in Macedonian Orthodox Fresco Painting(ARTS, MDPI, 2021-12-20)Zdravkova Djeparoska SonjaAlthough dance as a topic has been explored through various theoretical and thematic discourse, little attention has been paid to the presence of dance motifs in Christian imagery. An examination of Orthodox Macedonian medieval fresco painting provides a fascinating point of entry into this overlooked subject. Analysis reveals the presence of two dominant approaches, conditioned primarily by the position of dancing in the philosophical-ethical discourse present in the Bible and other late antique and medieval theological texts. Some frescoes and icons show the body as a channel through which the Lord is glorified. Others show it as an instrument and reflection of immorality instigated by demonic powers. As in each approach, the bodies have differing semantic qualities, valuable information can be obtained about the performing practices present in this historical period - Some of the metrics are blocked by yourconsent settings
Item type:Publication, MACEDONIAN BALLET REPERTOIRE ANALYSIS -LAYER OF CLASSICAL BALLET PRODUCTION(University of Debrecen University and National Library, 2021)Sonja Zdravkova DjeparoskaMacedonian ballet was founded in 1949, and in 2019 the ensemble celebrated its 70th anniversary. That was a reason for a theoretical review and analysis of the repertory. A starting point in the interpretation of the Macedonian ballet repertoire is the task to determine a recognizable expression with emphasized characteristics and features. The time frame comprises 1949, the year of founding of the professional ballet group within the Macedonian National Theatre, and its cease with the season 2019/20. Analyzing the whole repertoire, three layers can be distinguished. The research interest of the author will be put on the first this layer: classical ballet productions, and the performances that gravitate towards this stylistic format.
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