Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12188/8136
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dc.contributor.authorСолунчев, Ристоen_US
dc.date.accessioned2020-05-15T20:00:18Z-
dc.date.available2020-05-15T20:00:18Z-
dc.date.issued2019-
dc.identifier.citationСолунчев, Ристо. (2019). “Револт и Algor Mortis“, Context No. 20, Institute for Macedonian literature, Skopje, 27-32.en_US
dc.identifier.issn1857-7377-
dc.identifier.urihttp://hdl.handle.net/20.500.12188/8136-
dc.description.abstractIn this essay author examines the contemporary ontology of rap music and hip-hop culture. The album “Hip-hop is dead”, from Nas is the referential point that inaugurates the postponed condition of algor mortis, namely, after the death you have the signs of cooling the body. Rebellion is the real condition of rap and hip-hop and this rebellion is abolished on the three levels: sampling is not free so rap is no longer postmodernism; textuality no longer depends on the language as an uncontrollable being but it is more part of repetitive mannerism; and rap is no longer political voice of the deteritorialized community but rather part of the system of totality.en_US
dc.language.isomken_US
dc.publisherИнститут за македонска литература, Скопјеen_US
dc.relation.ispartofContexten_US
dc.subjecthip-hop culture, rap music, rebellion. repetitive mannerismen_US
dc.titleРеволт и Algor Mortisen_US
dc.title.alternativeRebellion and Algor Mortisen_US
dc.typeJournal Articleen_US
item.grantfulltextopen-
item.fulltextWith Fulltext-
crisitem.author.deptFaculty of Philosophy-
Appears in Collections:Faculty of Philosophy 04: Journal Articles / Статии во научни списанија
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