Револт и Algor Mortis

Солунчев, Ристо

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DC Field	Value	Language
dc.contributor.author	Солунчев, Ристо	en_US
dc.date.accessioned	2020-05-15T20:00:18Z	-
dc.date.available	2020-05-15T20:00:18Z	-
dc.date.issued	2019	-
dc.identifier.citation	Солунчев, Ристо. (2019). “Револт и Algor Mortis“, Context No. 20, Institute for Macedonian literature, Skopje, 27-32.	en_US
dc.identifier.issn	1857-7377	-
dc.identifier.uri	http://hdl.handle.net/20.500.12188/8136	-
dc.description.abstract	In this essay author examines the contemporary ontology of rap music and hip-hop culture. The album “Hip-hop is dead”, from Nas is the referential point that inaugurates the postponed condition of algor mortis, namely, after the death you have the signs of cooling the body. Rebellion is the real condition of rap and hip-hop and this rebellion is abolished on the three levels: sampling is not free so rap is no longer postmodernism; textuality no longer depends on the language as an uncontrollable being but it is more part of repetitive mannerism; and rap is no longer political voice of the deteritorialized community but rather part of the system of totality.	en_US
dc.language.iso	mk	en_US
dc.publisher	Институт за македонска литература, Скопје	en_US
dc.relation.ispartof	Context	en_US
dc.subject	hip-hop culture, rap music, rebellion. repetitive mannerism	en_US
dc.title	Револт и Algor Mortis	en_US
dc.title.alternative	Rebellion and Algor Mortis	en_US
dc.type	Journal Article	en_US
item.fulltext	With Fulltext	-
item.grantfulltext	open	-
crisitem.author.dept	Faculty of Philosophy	-
Appears in Collections:	Faculty of Philosophy 04: Journal Articles / Статии во научни списанија