Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12188/7077
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dc.contributor.authorTasevska Hadji Boshkova, Iskraen_US
dc.date.accessioned2020-02-29T14:13:20Z-
dc.date.available2020-02-29T14:13:20Z-
dc.date.issued2008-
dc.identifier.citationГодишен зборник на Филолошкиот факултет „Блаже Конески“, кн. 34. Скопје: Филолошки факултет „Блаже Конески“, 2008, 157-164.en_US
dc.identifier.issn1409-8571-
dc.identifier.urihttp://hdl.handle.net/20.500.12188/7077-
dc.description.abstractFacing this post-modern episode and contemporary situation, we are inevitably focused on literary problems that occupy different genres. The fundamental bias here are useful conceptions of contemporary literary scholarship, applied on some Macedonian texts of the 19th century. The analysis here is comparative, between one medieval text and Krchovski’s text that functions as a specific speech genre. The semantic and structural interpretation gave oppositional pares, and then showed the basic folk culture, rendering Krchovski a visionary. Although his art is historically labeled, he is the most non-interpreted author of the Macedonian 19th century, but also the most vivid and creative.en_US
dc.language.isomken_US
dc.publisherФилолошки факултет „Блаже Конески“en_US
dc.relation.ispartofГодишен зборник на Филолошкиот факултет „Блаже Конески“, кн. 34.en_US
dc.titleЈоаким Крчовски – уметник на литературниот логос и литерарните трансформацииen_US
dc.typeArticleen_US
item.grantfulltextopen-
item.fulltextWith Fulltext-
crisitem.author.deptBlaze Koneski" Faculty of Philology-
Appears in Collections:Faculty of Philology: Journal Articles
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