Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12188/6934
Title: Od Večerinki do Nokturna – kodifikacija tradicije u savremenost
Other Titles: From Večerinki to Nocturnes: Codification of tradition into modernity
Authors: Jordanoska, Trena 
Keywords: Dimitrije Bužarovski
nokturna
klavir
kodifikacija
tradicionalnost
Issue Date: 2019
Publisher: Centre for Evaluation in Education and Science (CEON/CEES); Univerzitet u Nišu - Fakultet umetnosti, Niš
Journal: Artefact
Conference: Balkan Art Forum (BARTF), V, Umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa, (Niš, 6–7. oktobar 2017), Univerzitet u Nišu, Fakultet umetnosti u Nišu
Abstract: Stvaralaštvo Dimitrija Bužarovskog je neiscrpna muzikološka riznica deklarisana njegovim stavom multistilizma i multižanrovizma. Tražeći originalnost u ukrštanju i nadgradnji idioma, posebno iz popularnih žanrova - folklora, popularne muzike i džeza, ovaj autor je stvorio dela koja su već nekoliko decenija primer kompozitorskih postupaka koji neoromantično grade nacionalnu školu, ali opet na jednom univerzalnom, globalnom nivou. Zbog toga ona veoma vešto komuniciraju i na lokalnom nivou, ali i u mnogo širem međunarodnom okruženju. Jedno od najizvođenijih dela Bužarovskog - ciklus Nokturna za klavir (Večerinke u originalu) - tipičan je primer transcendencije klasičnog u savremeno, popularnog u elitno, jednoslojnog u višeslojno i jednostavnog u virtuozno. / Dimitrije Bužarovski’s compositions are indefi nite treasure for musicological research due to his declared attitude and use of multistylistic and multigenre approach. Searching for originality in the idiom fusion and upgrade, especially through the use of the popular genres – folk, popular music and jazz, during the last several decades, his compositions are already an example of the compositional techniques of neoromantical national schools, achieving universal global acceptance. Thus, they communicate equally successful in the local and in the wider international environment. The cycle of nocturnes for piano (the original title Večerinki) are one the most often performed compositions by Bužarovski. They are a typical example of the transcendence of classical into modern, popular into elite, simple into multilayered, and elementary into virtuosical.
URI: http://hdl.handle.net/20.500.12188/6934
DOI: 10.5937/artefact5-22084
Appears in Collections:Faculty of Music: Journal Articles

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