Od Večerinki do Nokturna – kodifikacija tradicije u savremenost
Journal
Artefact
Date Issued
2019
Author(s)
DOI
10.5937/artefact5-22084
Abstract
Stvaralaštvo Dimitrija Bužarovskog je neiscrpna muzikološka riznica deklarisana njegovim stavom multistilizma i multižanrovizma. Tražeći originalnost u ukrštanju i nadgradnji idioma, posebno iz popularnih žanrova - folklora, popularne muzike i džeza, ovaj autor je stvorio dela koja su već nekoliko decenija primer kompozitorskih postupaka koji neoromantično grade nacionalnu školu, ali opet na jednom univerzalnom, globalnom nivou. Zbog toga ona veoma vešto komuniciraju i na lokalnom nivou, ali i u mnogo širem međunarodnom okruženju. Jedno od najizvođenijih dela Bužarovskog - ciklus Nokturna za klavir (Večerinke u originalu) - tipičan je primer transcendencije klasičnog u savremeno, popularnog u elitno, jednoslojnog u višeslojno i jednostavnog u virtuozno. / Dimitrije Bužarovski’s compositions are indefi nite treasure for musicological research due to his
declared attitude and use of multistylistic and multigenre approach. Searching for originality in
the idiom fusion and upgrade, especially through the use of the popular genres – folk, popular
music and jazz, during the last several decades, his compositions are already an example of
the compositional techniques of neoromantical national schools, achieving universal global
acceptance. Thus, they communicate equally successful in the local and in the wider international
environment. The cycle of nocturnes for piano (the original title Večerinki) are one the most often
performed compositions by Bužarovski. They are a typical example of the transcendence of
classical into modern, popular into elite, simple into multilayered, and elementary into virtuosical.
declared attitude and use of multistylistic and multigenre approach. Searching for originality in
the idiom fusion and upgrade, especially through the use of the popular genres – folk, popular
music and jazz, during the last several decades, his compositions are already an example of
the compositional techniques of neoromantical national schools, achieving universal global
acceptance. Thus, they communicate equally successful in the local and in the wider international
environment. The cycle of nocturnes for piano (the original title Večerinki) are one the most often
performed compositions by Bužarovski. They are a typical example of the transcendence of
classical into modern, popular into elite, simple into multilayered, and elementary into virtuosical.