Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12188/32484
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dc.contributor.authorBanovikj-Markovska, Angelinaen_US
dc.date.accessioned2025-02-22T20:18:06Z-
dc.date.available2025-02-22T20:18:06Z-
dc.date.issued2023-
dc.identifier.isbn978-608-234-100-2-
dc.identifier.urihttp://hdl.handle.net/20.500.12188/32484-
dc.description.abstractIn this essay, we discuss several literary-theoretical aspects that make the implicit poetics of Koneski explicit. These are terms close to the doctrine of the Russian formalism and the structuralism of the Prague school (Shklovsky's остранение вещей and Jacobson's actualization). To point out that the formalist experience of reality has to do with Freud's interpretation of the uncanny, I also introduced the term unheimliche. This essay discusses them as well as the poetic function of the previously- mentioned word, raising the question of influences in language and literature. It not only confirms the organic connection of the poem with tradition but it also reveals the connection between Koneski's personal poetics and the dominant theoretical currents of his time.en_US
dc.language.isomken_US
dc.publisherУниверзитет „Св. Кирил и Методиј“ во Скопје Филолошки факултет „Блаже Конески“en_US
dc.titleШКЛОВСКИ, ЈАКОБСОН И ФРОЈД ВО ИМПЛИЦИТНАТА ПОЕТИКА НА БЛАЖЕ КОНЕСКИen_US
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Appears in Collections:Faculty of Philology: Conference papers
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