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http://hdl.handle.net/20.500.12188/26260
Title: | Празниот знак во модерната архитектура | Authors: | Ноневски, Вангел | Keywords: | semantics, empty signifier, free interpretation, modern art, public space, modern architecture, experience, architectural event | Issue Date: | 2021 | Publisher: | Институт за македонска литература | Source: | Ноневски, В. (2021). „Празниот знак во модерната архитектура“. Context/Контекст 24, pp. 55-64. | Journal: | Context/Контекст | Abstract: | This paper is based on the poststructuralist and deconstructivist practices of interpretation in modern art, which is understood as an empty signifier that opens up potentially infinite possibilities for free interpretation. After all, the credo of modern art is to be open to a variety of interpretations. The main challenge of the paper is the application of these practices in the field of modern architecture, whose primary goal is to be functional. However, according to Umberto Eco and Roland Barthes, as soon as there is any cultural and social function, it immediately becomes a signifier. Thus, the equivalent of free interpretation in the domain of modern architecture becomes free experience. Public space should be arranged in such a way as to force its resident/user to “participate in the design”, as Manfredo Tafuri puts it. The ultimate goal of this understanding of modern architecture is to try to turn urban life into an event. | URI: | http://hdl.handle.net/20.500.12188/26260 |
Appears in Collections: | Faculty of Philosophy 04: Journal Articles / Статии во научни списанија |
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File | Description | Size | Format | |
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Vangel Nonevski [2021] Prazniot znak vo modernata arhitektura.pdf | 363.49 kB | Adobe PDF | View/Open |
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