Стапиците на автентичноста и идентитетот низ призмата на балканските стереотипи во Медена земја и Пред дождот
Journal
Прилози/Contributions
Date Issued
2022
Author(s)
Abstract
This text provides an insight into Maria Todorova’s theory of Balkanism, as a basis for
reading the stereotypes and the self-stigmatization in the Macedonian films Honeyland
and Before the Rain. The Balkans, like Said’s Orient, are presented as a Western construct,
usually not a reference of the region, but of a phantasm constantly filled with prejudice
and negative identifications. The conclusion is that the cinematic representation of the
fetishized rural Macedonian past, understood as a singular authentic identity, must be
reckoned with.
reading the stereotypes and the self-stigmatization in the Macedonian films Honeyland
and Before the Rain. The Balkans, like Said’s Orient, are presented as a Western construct,
usually not a reference of the region, but of a phantasm constantly filled with prejudice
and negative identifications. The conclusion is that the cinematic representation of the
fetishized rural Macedonian past, understood as a singular authentic identity, must be
reckoned with.
Subjects
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Name
Vangel Nonevski [2022] Stapicite na avtenticnosta i identitetot niz prizmata na Balkanskite stereotipi.pdf
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369.97 KB
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