Lines
Journal
Scientific journal: THE CREATIVITY GAME - Theory and Practice of Spatial Planning, Volume 3
Date Issued
2015
Author(s)
Bakalchev, M., Tasic, S., Bakalchev, V., Hadzi Pulja
Abstract
The perception of elements in a system often creates their interdependence, interconditionality, and suppression. The lines from a basic geometrical
element have become the model of a reductive world based on isolation
according to certain criteria such as function, structure, and social organization. Their traces are experienced in the contemporary world as fragments
or ruins of a system of domination of an assumed hierarchical unity. How
can one release oneself from such dependence or determinism? How can
the lines become less “systematic” and forms more autonomous, and less
reductive? How is a form released from modernistic determinism on the
new controversial ground? How can these elements or forms of representation become forms of action in the present complex world? In this paper,
the meaning of lines through the ideas of Le Corbusier, Leonidov, Picasso,
and Hitchcock is presented. Spatial research was made through a series of
examples arising from the projects of the architectural studio “Residential
Transformations”, which was a backbone for mapping the possibilities
ranging from playfulness to exactness, as tactics of transformation in the
different contexts of the contemporary world.
element have become the model of a reductive world based on isolation
according to certain criteria such as function, structure, and social organization. Their traces are experienced in the contemporary world as fragments
or ruins of a system of domination of an assumed hierarchical unity. How
can one release oneself from such dependence or determinism? How can
the lines become less “systematic” and forms more autonomous, and less
reductive? How is a form released from modernistic determinism on the
new controversial ground? How can these elements or forms of representation become forms of action in the present complex world? In this paper,
the meaning of lines through the ideas of Le Corbusier, Leonidov, Picasso,
and Hitchcock is presented. Spatial research was made through a series of
examples arising from the projects of the architectural studio “Residential
Transformations”, which was a backbone for mapping the possibilities
ranging from playfulness to exactness, as tactics of transformation in the
different contexts of the contemporary world.
Subjects
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