Полифонијата во еден сегмент од творештвото на Сотир Голабовски создадено во периодот од 1960-1980 година
Journal
Ars Academica
Date Issued
2017
Author(s)
Јовиќ, Тихомир
Abstract
This year marks 80 years since the birth of Sotir Golabovski (Struga, October 30, 1937 - November 5, 2014, Skopje), musicologist, composer, music publicist and pedagogue. Although musicology is his basic vocation, the composing opus of Sotir Golabovski leaves a significant mark in the Macedonian music culture. The work of this author consists of genre varied works of solo, chamber, vocal and orchestral music, works in which various stylistic compositional-technical determinations can be noticed.
Contemporary Macedonian art with its scope, but even more with its essential complexity, opens up possibilities for many researches in several aspects, for which the Macedonian musicology is of great interest. The aim of this paper is to give relevant answers about the type, manner and scope of the use of polyphony in one segment of the work of Sotir Golabovski created between 1960 - 1980. For this purpose a corpus of the available works (scores and recordings) of this author was formed.
The limitation of the defined 20-year period is because it stands out as one of the most significant in Macedonian music history, a period in which a rather high number of genre varied works have been created, and at the same time it is a basis on which the further development of the Macedonian music art, i.e., the creation of the next generation of Macedonian composers is based.
Contemporary Macedonian art with its scope, but even more with its essential complexity, opens up possibilities for many researches in several aspects, for which the Macedonian musicology is of great interest. The aim of this paper is to give relevant answers about the type, manner and scope of the use of polyphony in one segment of the work of Sotir Golabovski created between 1960 - 1980. For this purpose a corpus of the available works (scores and recordings) of this author was formed.
The limitation of the defined 20-year period is because it stands out as one of the most significant in Macedonian music history, a period in which a rather high number of genre varied works have been created, and at the same time it is a basis on which the further development of the Macedonian music art, i.e., the creation of the next generation of Macedonian composers is based.
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