Aleksandar, Radevski
Preferred name
Aleksandar, Radevski
Official Name
Aleksandar, Radevski
Main Affiliation
Email
radevski.aleksandar@arh.ukim.edu.mk
9 results
Now showing 1 - 9 of 9
- Some of the metrics are blocked by yourconsent settings
Item type:Publication, RESTORATION OF THE ELEMENTARY SCHOOL "JOHANN HEINRICH PESTALOZZI"-SKOPJE(2020); The post-earthquake rebuilding of Skopje provided valuable examples of modernist architecture that deserve to be included in the category of a protected building heritage. A prominent instance is the elementary school named after the famous Swiss educator and pedagogue "Johann Heinrich Pestalozzi", the first example in this area that introduces the practical application of deeply thought out methods of integral education promoted by him in the early 19th century. Many contemporary architects have incorporated the efficient use of this educational concept, including the renowned Swiss architect Alfred Roth, creating a unique sample of a school that includes specific geographic and regional features (climatic, seismic, cultural - aesthetic). In terms of properties, the building contains originality, rarity and aesthetic-artistic value. With reference to other criteria, it also includes the value of authentic preservation, which is in crisis without adoption of adequate and prompt protection and restoration measures. In respect of protecting the school from further destruction, the Swiss Embassy in Skopje made an official request for a study and design documents for the school reconstruction by detecting all critical issues, developed and executed by the expert team from the Faculty of Architecture in Skopje. This paper, which is based on the results of the research, conducted by us as a part of the group, aims to elaborate the methodological approach of the analyses contained in the study, which, as a pre-design procedure, provided a solid base for developing design documents. A significant component of the study that needs to be emphasized was the use of computer technology throughout the work process, using parametric insertion of structural and other elements of the building's architecture into a 3D model. This approach allowed the generation of architectural details across any part of the facility in an exact form, which proved extremely useful through the process of constructing the design documents. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Simple analysis of daylight saving time effects in Belgrade climate and latitude(National Library of Serbia, 2018) - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Daylight, Definition, Interpretation and Application Today(Scientific Foundation SPIROSKI, 2022-10-20); ; <jats:p>Light is a universal medium that illuminates our world. It is the key to discovering the mysteries of the universe, of the spiritual and physical dimensions of the human past, present and future. The history of light and its impact on our world is almost infinite, and through it we search for the origin of life and civilization. It is a story that starts with the beginning of the world and goes on all the way to the development of quantum physics. It unifies and intertwines the art, science, architecture, religion, and philosophy in time and space.</jats:p> - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Lighting of the Working Space(South East Europian Journal of Architecture and Design, 2022-10-26); ; The primary subject of this research is defining the workspace through the impact of light and the size of openings through which light penetrates. In that sense, workplace is taken as a model that is researched and analyzed from the aspect of geometry and proportion. The workplace, being an elementary space in which human’s act, represents space which is continuously resided in for thelongest period of time throughout the day. For that reason, the natural light penetrating through the light openings, as well as the view from them on the outside world, is a crucial factor for the quality of space. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Daylight, Definition, Interpretation and Application Today(Scientific Foundation SPIROSKI, 2022-10-20); ; Light is a universal medium that illuminates our world. It is the key to discovering the mysteries of the universe, of the spiritual and physical dimensions of the human past, present and future. The history of light and its impact on our world is almost infinite, and through it we search for the origin of life and civilization. It is a story that starts with the beginning of the world and goes on all the way to the development of quantum physics. It unifies and intertwines the art, science, architecture, religion, and philosophy in time and space. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, VISUAL COMMUNICATION THROUGH PERSPECTIVE(Ss. Cyril and Methodius University, Skopje, North Macedonia Faculty of Design and Technologies of Furniture and Interior, Skopje, 2022-11); This paper aims to explore different types of perspectives as systems for graphic communication used in art and in technical sciences throughout history by comparatively analyzing them according to their domination in certain cultures and periods of history. Today, the term “perspective” is often used in a brother sense for expressing the possibilities for development of a person or an action, look into the future, an assumption for the order and the final outcome of an action, a happening or state of things. In the field of optics, perspective stands for apparent decrease in size of the represented objects related to distance increase from the person watching. In visual arts perspective stands for the specific way of space representation on a surface. It is usual when the term perspective pops up in a conversation to assume that it refers to the renaissance linear geometric construction of perspective and it is usually regarded as the one that represents space on a surface “correctly”, exactly the way that we perceive space in reality. That assumption is incorrect on multiple levels. Optical laws of apparent decrease in size of object in space, as further as they are from us. obviously exist. But these laws are not the only relevant factors in space representation. Furthermore, they are not interpreted completely correct in the linear construction of geometric perspective. Perception on a basic physiological level has not changed since ancient times. People build civilizations on top of previous civilizations and start accepting what they have learned as being correct, neglecting their instincts and repressing their senses. History is full of examples in which the apparent is neglected, even rejected, as a result of us being accustomed to certain conventions and rules based on our education, culture and not on our experience based on senses. A contemporary man perceives what he knows, not what he really sees. That’s why it is important to overrule the myth of “correctness” of linear perspective in order to be able to accept the existence of other perspective systems of space representation, and their treatment as equally important. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, LIGHT AS A BUILDING MATERIAL – SUPERIMPOSED VISUALIZATION(Ss. Cyril and Methodius University, Skopje, North Macedonia Faculty of Design and Technologies of Furniture and Interior, Skopje, 2022-11); This paper aims to investigate and confirm the inseparable connection between: interior architecture, iconographic topography, inverse perspective as a system for representing space on a surface, light and liturgy in Byzantine churches on the territory of medieval Macedonia. The interior architecture in these sacral objects is methodically based on the superposition of all the aforementioned aspects. Any change in one of them can cause a disturbance in a series of others and disrupt the entire system. All these elements are in a methodically created superposition in order to be a visual support for the words of the liturgists and to convey a certain theological thought or concept in the church perceived as a model of the cosmos according to the Orthodox worldview. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, THE INVERSE PERSPECTIVE AS A SYMBOLIC FORM(Ss. Cyril and Methodius University, Skopje, North Macedonia Faculty of Design and Technologies of Furniture and Interior, Skopje, 2022-11); This paper aims to explore the Inverse perspective as a system for graphic communication used in space representations in Byzantine art. The research and following of the system’s evolution is more complicated than one might expect, because inverse perspective is not based on objective projective methods. If analyzed, according to the criteria of the modern, strictly defined and objectively understood perspective, one would categorize it as vague, inaccurate and even confusing graphic systems of communication, as it has been done in some previous superficial views on this construction. But if one perceives the wider picture, considering its genesis and context, then one can question their correctness in relation to the objective treatment of space, but still, in relation to the subjective treatment of space, these systems are completely unique and basically represent methodically designed means of artistic expression according to the Mideval Orthodox worldview. Considering the strict canonization of all aspects of Byzantine sacral architecture and art, it would be naive to assume that the compositional arrangement of the setting and space in the painting was completely left to free interpretation by master painters and their skillfulness to "correctly" and accordingly represent these aspects. Byzantine painting was a substitute for the literary work in the eyes of the vast number of illiterate believers. Inverse perspective was a tool used to express religious thoughts, from the most ordinary historical comments on the lives of the Saints to the most profound theological reflections that transported the observer to the immaterial and transcedental idealistic world of thought. With the very need for such refined visual interpretations of the thoughts of the Byzantine theologians, master painters had to become real expert interpreters and translators of these theological texts with a painterly language. The uniqueness of this painting language lies in the emphasis on spirituality, the irrational and supernatural view of the painted object, same as in the words of liturgists, monks and other theological thinkers. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Light and Experience of Space - Construction of Metaphysical Space(Scientific Foundation SPIROSKI, 2022-10-22); The main goal of this research is to perceive the influence of light on the brightness of the architectural space through the different positions of the Sun and its varying intensity at different periods throughout the year. Through a historical review of architectural styles and architectural elements, the influence of daylight on the shaping of the architectural space is presented. When we talk about architecture, we talk about light, first of all daylight. It is not just physical, its enabling perception of the exterior and the interior, it also provides energetic component to architecture, duality of matter and energy thus generating aesthetic sensation among users.