Faculty of Music
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Item type:Publication, Reflections on Dance Identity Migrant Performing Bodies – Identity Guardians(Trabzon University State Conservatory, 2025-12-31)Zdravkova Djeparoska, Sonjan the recent years the theme of migration has received significant attention worldwide becoming a global process. Migration can be categorized as temporary or permanent. This particular study encompasses both modalities that are in intrinsic relationship with social and economic factors. Furthermore, an analysis of migration through the prism of culture, tradition and identity provides ground for investigating transformation of cultural models and their characteristics. The present research is specifically focused on the Macedonian population. To facilitate a more competent insight and comparative analysis two distinct periods, which were characterized by substantial migratory movements, have been observed: the mid -20th century (1930s-1940s) and the early 21st century (2010s-2020s), The selected periods have consequently determined the choice of geographical areas, specifically countries that were "desired" primary destinations during each respective period. To enhance understanding, the analysis was further constricted and focused on two urban centers that hosted or currently host large and significant Macedonian diasporic communities: Belgrade and Sydney. The most significant processes and effects, resulting from the undertaking of Macedonians in these researched environments, have been established through the actions and activities of migrants and the diaspora community. The intangible culture serves as a pivotal category with a specific emphasis on dance. The body, a fundamental vehicle and embodiment of cultural characteristics, is adopted as an analytical unit in this analysis. The investigation of the dancing body is justified by identification of the inextricable link between identity and culture. Based on the obtained findings, the research defines models that reflect all characteristics of the studied groups, their distinguishing forms, as well as their ultimate functions. This approach provides an expanded understanding of Macedonian culture and identity transmission processes within the countries of immigration. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Certain historical and contemporary aspects of the regulation of the sport activities in North Macedonia(Федерација на спортските педагози на Република Македонија, 2022)Naumovski, G., Chapkanov, D., Nikoloska, N., Nedelkovski, B. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Analysis of some essential concepts of sports in Macedonian legislation context(Федерација на спортските педагози на Република Македонија, 2021)Chapkanov, D., Naumovski, G., Ignjatovic, M., Nikoloska, N. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Parallels between certain delicts against the person in roman law and certain institutes of conterporary Macedonian criminal lawIUS ROMANUM, (ISSN 2367-7007) ,CEEOL 2/2019: 386-394.(IUS ROMANUM, 2019)Naumovski, G., Arnaudovska, A., Chapkanov, D., Shutova, M. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Relations between the institutes of roman law and contemporary business law with reference to Macedonian legislation(IUS ROMANUM, 2017)Mucunski, T., Chapkanov, D., Klimovski, A. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Digital management of copyright and related rights from the point of view the Macedonian legislation.(Sofia: УниБИТ, 2020-11-01)Buchkovski, V., Chapkanov, D., Naumovski, G. - Some of the metrics are blocked by yourconsent settings
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Item type:Publication, POLYPHONY IN THE WORKS OF STOJAN STOJKOV CREATED BETWEEN 1960 AND 1980(University "Ss. Cyril and Methodius", Faculty of Dramatic Arts, 2019)Stojan Stojkov (village of Podaresh, Radovish, October 17, 1941) is one of the most prominent Macedonian musicians. His compositional opus covers works of various genres, works that arise primarily from the Macedonian folklore and spiritual tradition. The aim of the paper is to elaborate the author's approach to the polyphonic syllable, one of the basic, traditional principles of the organization of music matter. In particular, the research is aimed at determining the type, manner and scope of the use of polyphony in the work of Stojan Stojkov created in the period from 1960 to 1980. For this purpose, a corpus of available works (scores and recordings) of the author's opus created during the abovementioned twenty-year period is formed. In doing so, the following isues have been considered: original works, works that represent folklore and music for children. The analysis of the works is done according to the standard procedures used in the analysis of polyphonic works. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Composition for commercial: LOT(LOT, 2017-07-06)Janevska, AndrijanaComposed, arranged, played and recorded by Andrijana Janevska Singer: Andrijana Janevska