Faculty of Music
Permanent URI for this communityhttps://repository.ukim.mk/handle/20.500.12188/15
Browse
4 results
Search Results
- Some of the metrics are blocked by yourconsent settings
Item type:Publication, Современите начини на пренесување на македонскиот музички фолклор(Асоциация за антропология, етнология и фолклористика »Онгъл«, 2019)Димитријевски, АлександарСè до неодамна, дефиницијата на музичкиот фолклор го вклучуваше „усно-слушното“ пренесување како централна категорија за дистрибуција и восприемање на фолклорните музички артефакти. Ерата на снимени музички материјали произведе дистрибуција на песни и играорна музика на многу поширока публика истовремено елиминирајќи ја потребата од физичко присуство на изведувачите. Дигитализацијата на музичкиот фолклор придонесе за дополнителни консеквенци во музичките, но и во вонмузичките аспекти. Во овој труд, ќе се потрудам да го истражам влијанието на каналите на дистрибуција врз продолжувањето на фолклорната музика во колективната културна меморија преку споредбата на дигиталните наспроти традиционалните начини на пренесување во современо опкружување. Until recently, the definition of music folklore included “oral/aural” as a central category for distribution and reception of folk music artefacts. The recording era facilitated the distribution of the song and dance music to a much wider audience while eliminating the need for physical presence of the performers. The digitization of music folklore has had further consequences both in musical and non-musical aspects. On the other hand, the contemporary presentation of the Macedonian musical folklore started with the radio broadcast in the first half of the 20th century, continued with the television in the second half of the 20th century, and since the beginning of the 21st century mostly transferred on the internet. All of the media and stage performances inevitably included transformed repertoire, and modern appliances for sound amplification and recording which led to preservation and a vast quantity of archived music material. Overall, the elaboration of the researched material explicitly proofed an existence of a large number of musical elements inherited from the traditional forms, but also their transformation, or more likely adaptation in the contemporary environment. Therefore, the contemporary means for transfer of the Macedonian music folklore are in continuity with the tradition, regardless of the significant changes that happened in the regional music culture in the meantime. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Connecting Music Tradition and Contemporary Mass Media: The Macedonian Music Folklore on Internet(Muzikološko Društvo Federacije Bosne i Hercegovine, Muzička akademija Univerziteta u Sarajevu, 2018)The Macedonian music folklore is a complex entity that has been presented on different levels of media presentation in the past. It is rich in segments which apply a variety of musical genres as a source of interpretation or simply as a musical background. In this context, it gained its newest form of media presentation through Internet and even more through the freeware servers and social networks. This phenomenon is one of the starting points of this paper. The paper will try to determine the basic segments and principles of presentation as well as the diversity of the Internet presented audiovisual examples of Macedonian music folklore. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Чалгиската музичка традиција во Македонија низ примерот на Велешката чалгија(Асоциация за антропология, етнология и фолклористика »Онгъл«, 2018)Димитријевски, АлександарThe Chalgija music tradition is one of the unique segments of the Macedonian music folklore. Mostly this is due to its origin and way of incorporation in the music culture, and on the other hand ‒ because of its intermingling musical influences from the broader and wider eastern and western cultures, but also because of the repertoire, which consists of diverse music examples. In this context, the Chalgija music in Macedonia is a representative of the urban music culture mostly from the period from the second half of the 19th and first half of the 20th century. It was wide spread in most of the cities in Macedonia, but the Chalgija music tradition from Veles, being one of the most representative and most known, was the dominant represent in the Macedonian Chalgija music tradition in general. In this paper, I will try to determine the place and the role of the Veles Chalgija music tradition, its most prolific representatives- performers, and its typical repertoire. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Институционалните наспроти вонинституционалните форми на изучување на македонскиот музички фолклор во Република Македонија(2017)Димитријевски, АлександарStudying Macedonian music folklore from the aspect of its performers (instrumentalists and singers) raises several issues. One of the first issues is related to the music education of the performers. This poses the question of how and to which extent the performers' education influenced the development of Macedonian music folklore. Another question is whether the knowledge of writing and reading notes and the knowledge of performing as well as interpreting the repertoire is the direct cause of such development of the Macedonian music folklore in contemporary environment. In this paper I will try to determine the diversification of the music education of the performers of Macedonian music folklore, but also the significance of the non-institutional vs. the institutional form of education and the role of each type of education in the formation of the performers of Macedonian music folklore.