Faculty of Music
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Item type:Publication, Parallels between certain delicts against the person in roman law and certain institutes of conterporary Macedonian criminal lawIUS ROMANUM, (ISSN 2367-7007) ,CEEOL 2/2019: 386-394.(IUS ROMANUM, 2019)Naumovski, G., Arnaudovska, A., Chapkanov, D., Shutova, M. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Relations between the institutes of roman law and contemporary business law with reference to Macedonian legislation(IUS ROMANUM, 2017)Mucunski, T., Chapkanov, D., Klimovski, A. - Some of the metrics are blocked by yourconsent settings
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Item type:Publication, POLYPHONY IN THE WORKS OF STOJAN STOJKOV CREATED BETWEEN 1960 AND 1980(University "Ss. Cyril and Methodius", Faculty of Dramatic Arts, 2019)Stojan Stojkov (village of Podaresh, Radovish, October 17, 1941) is one of the most prominent Macedonian musicians. His compositional opus covers works of various genres, works that arise primarily from the Macedonian folklore and spiritual tradition. The aim of the paper is to elaborate the author's approach to the polyphonic syllable, one of the basic, traditional principles of the organization of music matter. In particular, the research is aimed at determining the type, manner and scope of the use of polyphony in the work of Stojan Stojkov created in the period from 1960 to 1980. For this purpose, a corpus of available works (scores and recordings) of the author's opus created during the abovementioned twenty-year period is formed. In doing so, the following isues have been considered: original works, works that represent folklore and music for children. The analysis of the works is done according to the standard procedures used in the analysis of polyphonic works. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Composition for commercial: LOT(LOT, 2017-07-06)Janevska, AndrijanaComposed, arranged, played and recorded by Andrijana Janevska Singer: Andrijana Janevska - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Music and arrangement: Children of the Cosmos(CD Baby Pro, 2017-04-16) - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Вокална изведба на композицијата „Longings“ чиј автор е германскиот композитор Tonio Th. Fruehauf(CD baby, 2018-08-30) - Some of the metrics are blocked by yourconsent settings
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Item type:Publication, Солист во придружба на камерниот оркестар на Битола(Macedonian Opera and Ballet, 2018-10-25)Janevska, Andrijana - Some of the metrics are blocked by yourconsent settings
Item type:Publication, The Shift in the Idioms of Macedonian Music Culture during the Balkan Wars and World War I(Croatian Musicological Society / Hrvatsko muzikološko društvo, 2019)The predominantly Oriental Macedonian music culture of the Ottoman period and the beginning of the twentieth century experienced serious changes during the Balkan Wars and World War I. Macedonia was the last part of the Ottoman Empire in central and Western Balkans where the Oriental Turkish idioms – particularly through the use of makam and usul patterns – were the leading music feature of the Macedonian local music environment. However, the Occidental influence can be traced to the end of the nineteenth and beginning of the twentieth century in different channels: first through the members of the Turkish gentry who were trying to modernize the country and introduce Western cultural models; then through the influence of spiritual and secular music from the surrounding countries (Serbia, Bulgaria and Greece); and finally, through the introduction of Western models through European diplomats in the city of Bitola/Manastır in the late nineteenth century. Although this process would continue for another several decades until the establishment of the Republic of Macedonia (ASNOM, 1944), the shift in the music culture in almost all segments occurred already in the first years after World War I. Thus the Occidentalization of the Macedonian music culture can be observed in several areas: popular music, spiritual music, music education, and particularly the use of the Western musical instruments. Parallel to the čalgija ensembles and its monodic vocal and instrumental idioms (makams and usuls), the 3/4 (particularly minor tonal), the Western Europe waltz became part of the urban folklore. The introduction of the piano and the first performances of opera segments were other examples of Western music patterns in the urban culture. Military bands with Western instruments of Western provenience played an important role in the movement of different armies through Macedonia during the Balkan Wars and World War I, eventually becoming a standard component of military and secular music culture after 1918. A particularly important channel for the introduction of the Western idioms was elementary school education, used by invading countries as a key tool for political and other types of influence. Finally, the replacement of the old Byzantine/Slavonic monodic Orthodox chant with the homophonic tonal patterns signals the dramatic change of the music idioms of the twentieth century Macedonian music culture.