Faculty of Music
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Item type:Publication, Reflections on dance theatre: Insights and parallels(Faculty of Dramatic Arts, 2019-11)Zdravkova-Djeparoska, SonjaThe need for classification, subordination and grouping sometimes imposes a serious task upon us, which on the one hand means forcing the performing arts into some frames and categories, but on the other hand it facilitates their interpretation, reading and decoding. Wanting to engage in one of the possible classifications, I referred to Peter Brook’s cult book The Empty Space, in which he distinguishes different types of contemporary theatre. Starting from there, but without an attempt to rigidly apply his types of theatre, this research yielded its own internal classification. The results have shown that theatre and its functions can fluctuate considerably within each category. Both polarities within each type show dramatically different features, purposes, receptions and reactions. Each of the three types defined here are supported by a suitable scientific instrumentarium and practically validated through appropriately selected performances which have been listed in the text. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, FOLKLORE, DANCE IN THE CONTEXT OF MODELING IDEOLOGICAL MESSAGES(Klaipėdos universitetas, 2018)Zdravkova-Djeparoska, SonjaStudying Macedonian culture, we can not help noticing the particular role of folklore ensembles in fostering traditional music and dances, with a view to cherishing the national characteristics. This process is directed by the highest political bodies, which have disseminated the idea in a few spheres. Firstly, by means of actualization of certain matrices in the national folk ensemble Tanec, which was the benchmark followed by amateur ensembles. On the other hand, state television and radio MRTV, started broadcasting performances of folk music ensembles and programs with specific contents, i.e. where folklore prevailed. Analyzing the situation with the folk dance ensemble Tanec, we can notice that its Statute, as well as its first director Mr Manuel Chuchkov (senior political official) emphasized application, promotion and actualization of folklore in the context of socio-ideological engagement. Several papers written by Chuchkov, consider the usage of folk dances by placing them in historical and ideological contents. Such are the examples of folk dances from this period, into which drama elements are imputed, giving the dances specific historical features and being supposed to encourage patriotic feelings. Folklore used to be used as a tool in the socialist period, but it is still being actualized, in Macedonia nowadays.