Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12188/17521
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dc.contributor.authorЈовиќ, Тихомирen_US
dc.date.accessioned2022-05-04T15:06:20Z-
dc.date.available2022-05-04T15:06:20Z-
dc.date.issued2021-
dc.identifier.issn2545-448X-
dc.identifier.urihttp://hdl.handle.net/20.500.12188/17521-
dc.description.abstractDimche Nikoleski (village of Kosel, Ohrid region, January 13, 1943 - April 2, 1998, Skopje) is one of the generations of Macedonian composers whose division mainly takes place in the seventies and eighties of the twentieth century. Although he lived relatively short (55 years), Dimche Nikoleski’s creative path is very intense and creative, which is reflected not only in the sphere of his musical creation, but also in the spheres of music journalism and social action in general. Dimche Nikoleski’s musical work is primarily focused on chamber music. In the period 1960-1980, his work included 36 genre-diverse works. The aim of this paper is to explain the approach of the author to the polyphonic syllable as a principle of organization of musical material. In particular, the research will be aimed at determining the type, manner and scope of use of polyphony in the work of Dimche Nikoleski created in the above twenty-year period. For this purpose a corpus was formed from the available works (scores and recordings) by the author.en_US
dc.language.isomken_US
dc.publisherИнтернационален унивезитет ЕУРОПА ПРИМАen_US
dc.relation.ispartofLINKen_US
dc.relation.ispartofseries;УДК 929:78.071.1-
dc.subjectDimche, Nikoleski, polyphony, polyphoniformsen_US
dc.titleПолифонијата во творештвото на Димче Николески создадено во периодот 1960-1980 годинаen_US
dc.typeJournal Articleen_US
dc.relation.conferenceСтрушка музичка есен: Музиката помеѓу авторот и публиката (2018)en_US
item.grantfulltextopen-
item.fulltextWith Fulltext-
Appears in Collections:Faculty of Music: Journal Articles
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